The buzz surrounding the song “Kissik” from the upcoming film Pushpa 2: The Rule has taken the internet by storm, with its promotional campaign intensifying as the release date approaches. The item song, featuring Allu Arjun and Sreeleela, was launched at a grand event and has quickly become a trending topic across various social media platforms. Notably, the Hindi version of “Kissik” seems to be resonating more with audiences compared to its Telugu counterpart, showcasing a shift in regional preferences.
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Hindi Version Outshines Telugu Counterpart
The lyrical video of “Kissik” garnered an impressive 17.7 million views within just 12 hours of its release, indicating a strong initial reception. This figure surpasses many recent releases, including Mahesh Babu’s Dum Masala, highlighting the track’s potential to dominate the music charts. However, reactions to the song have been mixed; while some viewers praise its electrifying energy reminiscent of the iconic “Oo Antava,” others feel it lacks the immediate appeal that characterized its predecessor.
The Hindi lyrics, particularly the phrase “Thappad Maroongi Saala,” have struck a chord with listeners, often being cited as more impactful than the Telugu line “Debbalu Padathayi.” This preference for the Hindi version reflects broader trends in Indian cinema where Hindi adaptations can sometimes eclipse their regional counterparts in popularity. Social media is filled with reels and posts showcasing the Hindi version, further hinting at its growing momentum and acceptance among fans.
Comparing “Kissik” to “Oo Antava”
The first installment of Pushpa, titled Pushpa: The Rise, saw significant success in the Hindi market, which has set high expectations for Pushpa 2. The original film’s songs and mannerisms became viral sensations in Bollywood circles, paving the way for heightened anticipation surrounding this sequel. As such, tracks like “Kissik,” particularly with catchy phrases that resonate with mass audiences, could play a crucial role in fueling the film’s popularity in northern markets.
Despite these positive indicators, some critics argue that the songs in Pushpa 2 do not quite reach the viral heights of those from Pushpa: The Rise. For instance, while “Kissik” is being compared to “Oo Antava,” many remember that “Oo Antava” initially received a lukewarm response before eventually becoming a cultural phenomenon. Similarly, “Kissik” may require time to grow on listeners.
Devi Sri Prasad’s Musical Magic
The song is composed by Devi Sri Prasad (DSP), who has a reputation for creating catchy and engaging tracks. His work on “Kissik” has been described as high-energy and visually captivating, featuring dynamic choreography by Ganesh Acharya. The visuals showcase Allu Arjun and Sreeleela’s chemistry while incorporating behind-the-scenes moments that add to its appeal.
Sreeleela’s performance has also garnered attention; she reportedly received Rs 2 crore for her role in this item number, which is significantly less than Samantha Ruth Prabhu’s Rs 5 crore for “Oo Antava.” Despite this disparity in pay, Sreeleela’s portrayal has made a considerable impact on audiences and critics alike.
Anticipation for Pushpa 2: The Rule
As Pushpa 2: The Rule approaches its release on December 5, 2024, expectations remain high. The film is anticipated to build on the success of its predecessor, which grossed over Rs 400 crore globally. With both versions of “Kissik” performing well and social media buzzing with activity around it, there is potential for this track to become a defining anthem for the film.
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Conclusion: Future of “Kissik” and the Film’s Success
In conclusion, while “Kissik” may not have achieved universal acclaim immediately, its catchy lyrics and energetic beats are likely to ensure its place in popular culture as audiences prepare for what promises to be another thrilling installment in the Pushpa franchise. As viewers anticipate the film’s release, it will be interesting to see how both versions of the song continue to perform and shape audience engagement leading up to December 5th
